Designer Diversity: Constructing Bodies and Backgrounds through Contemporary Design Theory
Because design is ubiquitous in popular culture, design theory and practice have been increasingly criticized and analyzed in multiple domains including conceptualizing, planning, creating, and branding ideas, products, social spaces, geographies, social issues and problems, and concrete entities (Foster, 2007). However, we have not yet come to discuss and thus understand the power of design in fashioning diversity categories. Design is a significant social and economic influence on category delineation, internalized and assigned identity of category members, social status, and worth of members of diverse groups.
In the proposed paper, we examine the history of diversity as it moved from a concept of variation to one that has become primarily euphemistic for bodies and backgrounds conceptualizations such as race, ethnicity, sexual orientation, gender and more recently disability. We then look at the central role of design as intentional, purposive, political and powerful, in both fashioning and being shaped by popular culture notions of standards, acceptability, membership, and desirability, in creating identities that are “in” and out”, high brow and low-brow, oppressed, excluded, ignored , exploited, and revered. Through analyzing designed image, fashion, food, products, art, professional practices, social roles, politics, and even welfare, civil rights movements, and affirmative action processes we critically explore and indict design as a prime mover, brander, and political force in creating and reifying diversity categories and group identities.
We propose that design subverts attention from social and economic inequality, and suggest how this understanding can and should be used to rethink diversity, expand equality of access, and promote distributive justice.
Keywords: Design, Branding, Diversity
Dr. Stephen Gilson
Professor, University of Maine
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Dr. Elizabeth DePoy
Professor, University of Maine
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Ref: H08P0543